Upon his return, Charlier took one look at the pages completed in his absence, and continued where Giraud had left off without further much ado. A strange experience, Giraud in particular took it very hard. Actually this was the first time Blueberry was published under Giraud's pseudonym , Moebius. Taken aback, Charlier later stated, "It was too late to do anything about it, it was done. It was then that it became clear to Charlier, that he was left with no other option than to leave, and this he did taking all his other co-creations with him, to wit Redbeard and Tanguy et Laverdure , which, while not as popular as Blueberry, were steady money making properties for Dargaud nonetheless. The next title, "OK Corral", was published in a similar manner in the summer of in the "L'ExpressMag" appendix of the non-comic weekly news magazine L'Express. Already in , Charlier made his displeasure known in this regard, when he had "Angel Face" pre-published in Nouveau Tintin of industry competitor Le Lombard, the very first time a Blueberry adventure was not serialized in Pilote — nor would it ever be again in hindsight. The magazine was forced to drop the announcement page it had prepared for the story.
Yet, for all Charlier's business acumen, he had failed to recognize that Koralle's exuberant expansion drive had essentially been a do-or-die effort on their part. But it is no longer the same. The veteran Charlier had already sensed the writings on the wall at Novedi and discussed plans with Giger to have all his comic creations moved over to the new publisher, and to this end had already arranged his old friend fr: He already had outlines in mind, but asked me to come up with a name. On that occasion Charlier, owning a law degree,  stipulated an exemption clause for magazine pre- publications of his own co- creations. Additionally, Giraud also scripted the intermezzo series Marshal Blueberry , but had no creative input for the La Jeunesse de Blueberry prequel series, after the first three, original volumes. However, while Jeremiah has remained with Dupuis ever since, for again unknown reasons the cooperation with Blueberry did not seem to pan out either. Charlier's initiative was not entirely devoid of a healthy dose of self-interest, as over half the releases in the collection, were, aside from Blueberry, titles from other comic series he had co-created. Hachette incidentally, later acquired a special, one-time only license from Dargaud to reissue the entirety of the Blueberry series in as the 52 volume La Collection Blueberry anthology, each volume augmented with a six-page illustrated editorial. As impromptu publisher, EDIBD published around two dozen album titles, including "La longue marche", before turning the copyrights of these over to Novedi,  which started publishing themselves in At Dargaud, the late Guy Vidal became a true series editor-in-chief, active, pugnacious, adhering to continuous series. And it is only the Dargaud copyrighted material we can use for the Blueberry-Chroniken, as we have experienced to our dismay on several occasions," referring among others, aside from "Three Black Birds", to the covers for Epic as well. Shortly after he had established Alpen and unbeknownst to Giraud, Giger was already approached by Charlier Sr. Actually, and by his own admission, Charlier had originally written McClure as a temporary, minor background character, but Giraud was so taken with the character that he asked Charlier to expand his role in the series, and which stands out as the earliest known instance of Giraud exercising influence on the scripts of his senior colleague. After "Fort Navajo", the collection was suspended and each comic hero hitherto featured therein, spun off in book series of their own, including Blueberry or rather Fort Navajo, une Aventure du Lieutenant Blueberry as it was then still coined. Fully subscribing to the publisher's strategy, Charlier not only revitalized his Redbeard and Tanguy et Laverdure comic series — having been equally "devoid of inspiration" for these as well in the Pilote-era because of the royalties issue — , but created the new Western comic, Les Gringos art by Victor de la Fuente , as well. By the time Giraud embarked on the OK Corral cycle, publishing rights had returned to Dargaud, and that publisher decided to revitalize the magazine serialized pre-publication format as part of their marketing effort on behalf of Blueberry's return see below , albeit with a twist; As Dargaud no longer had a comic magazine of their own Pilote had become defunct in , it was decided to farm out pre-publication to parties who showed the most interest, resulting in that Blueberry titles in that cycle became serialized in different publications, not all necessarily comic-related by origin. Due to his intimate twenty-five year familiarity with both the series and its writer, it was a foregone conclusion that Giraud would from then on take on the scripting of the main series as well, especially since it was already agreed upon in the "contracts signed with Jean-Michel" that "the survivor would take over the series". Giraud had left Blueberry on a cliff-hanger with "Angel Face", resulting in an insatiable demand for more, putting the pressure on Dargaud. It is true that [the art for] "Le hors-la-loi" "The Outlaw" had been quite weak, but "Angel Face" made up for it". Nevertheless, despite the two Blueberry incarnations and Jeremiah being the top selling series for the publisher, it appeared that the financial base was too narrow for even a publisher the modest size of Novedi, as the publisher went out of business in , after having published approximately album titles, and despite having taken over the book publications for France themselves as well in the latter half of the decade. Novedi was established in November with its seat in Brussels, Belgium. It coincided with the break between Jean-Michel and Dargaud, where questionable issues in regard to authors' rights were in play. Death of a creator [ edit ] "I have twenty completed pages, the rest consists of annotations and loose ideas A strange experience, Giraud in particular took it very hard. It was then that it became clear to Charlier, that he was left with no other option than to leave, and this he did taking all his other co-creations with him, to wit Redbeard and Tanguy et Laverdure , which, while not as popular as Blueberry, were steady money making properties for Dargaud nonetheless. It was while he was working on two documentaries on the Mexican Revolution that he gained inspiration for his below-mentioned Les Gringos Western comic series, which started its run in at Koralle.
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