Recently, many critics have begun saying that Korean audiences no longer appreciate good films, that they prefer instead the light comedies that have dominated the box-office over the past couple years. Do forgive me for my manners, or lack thereof. Oseam is a genteel, well-intentioned film that is unfortunately not very compelling. Rim, in truth, is a North Korean spy. Choe, whose initial value to Teacher Kim is that he has access to imported cigarettes, has the final line of the movie rather than the children. Well, one subplot involving Joeng-shim's desire to have his, ahem, manhood properly circumcised, is indeed funny. The first part of the film focuses on the two men's characters and the rivalry that builds between them. A Club Med hotshot
While these similarities do exist, in tone and in characterization Jealousy is as different from Hong's films as John Cassavettes is from Ingmar Bergman. Recently, many critics have begun saying that Korean audiences no longer appreciate good films, that they prefer instead the light comedies that have dominated the box-office over the past couple years. I almost feel like an Ama-no-jaku for not having liked this obviously heartfelt animation film, but I must confess that I found Oseam redolent of those polite, squeaky-clean Masterpiece Theater literary adaptations, mostly good for quashing any desire in the viewer's minds to further check out the originals. The complicated visual elements, a mixture of 2D cell animation, 3D computer graphics and the old-fashioned "special effects" utilizing complex miniatures, is impressive in its attention to detail and its ability to covey fast action with complete legibility. Given that this is a character he had practice with before, he is sharp in the film and shows his potential to become one of the new stars in the coming years. Double Agent is another admirable attempt in this direction. Yet, at the core of this breezily smart tart lies, I think, a sincere strawberry heart. Jung's portrayal of a developmentally-disabled character comes nowhere close to the brilliance of Sol Kyung-gu in Oasis. Kim Myeong-su, the North Korean superior in Joint Security Area, has a grand time portraying another hissable villain, dripping mock sincerity while fixing his predatory gaze on his victims. Later, however, they become re-acquainted at high school, and a love triangle emerges between them and Jun-ha's best friend. Kim or the glitz of Chicago to the dark imagery, depressing themes and seat-squirming violence offered up here though a vocal minority praised the film highly. Explosions are startling in their realism: True love sells in Korea I hope to see more political thrillers like Double Agent in the future, not necessarily about North-South relations, but about all aspects of the recent history of the Korean peninsula. I am favorably disposed to the movies that allow their characters to have life-affirming fantasies, and I am glad that Singles was met with the audience approval, making it one of the biggest hits of Yun-sik is an uncommonly well-written role that allows Moon to present different facets of the character, his intelligence, confidence, callousness and vulnerability, without compromising the empathy of the audience. When a gust of wind begins to turn turbo-electric windmills long fallen to disuse, one not only sees the CGI "ripple" that moves the air forward familiar from movies like Matrix but also details of the debris that float into the air, painstakingly drawn. Yu Ji-tae Oldboy, Attack the Gas Station plays U Young-min, a cop-turned-security chief at a department store, investigating a series of inexplicable suicides. I heard there was much grumbling in the internet, et cetera, about the plot and "surprise ending" not making sense. And yet I keep expecting him to tear open his poker face to show something different, channeling the depth of emotion and complexity of personas swirling underneath the impeccable aw-shucks comic timing. The film is weighed down by so many plot twists and scenes that are meant to both moving and surprising, that at the end one just feels relief that it has finally ground to a close. I really do think if he excised Climax No. The images of Gah-in swimming, Do-hee's trip to the zoo, and Do-hee's closing climax still resonate with me long after. Placing Yeon, who will never fit into mainstream society because of the visions she sees, into the space of the apartment building makes for a bittersweet juxtaposition. In any case, given the lackluster domestic box office performance of Tube and other "Korean-style blockbusters" in the last two years, it may be that the days of Korean producers pouring hundreds of millions of won into the "copywood" formulae are numbered. I was taken aback to learn from the director that the department store guard, who strangely resembles Ki Joo-bong's CEO, is in fact played by his real-life brother Ki Guk-seo. Their faith demands that they renounce the world of flesh and realize its illusory nature, and yet the movie focuses on their weaknesses, their inability to do so.
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