The mob mentality displayed in bank runs was portrayed in films like American Madness , where Frank Capra depicted "the thin line between investor confidence and panic in Hoover's America. The second was a set of "particular applications" which was an exacting list of items that could not be depicted. Warner , was the most prominent maker of these types of pictures and preferred they be called "Americanism stories". Themes of American exceptionalism and traditional concepts of personal achievement, self-reliance, and the overcoming of odds lost great currency. Capone appeared on the cover of Time magazine in Therefore, events such as the Boston Tea Party could not be portrayed. Under some circumstances, politicians, police officers and judges could be villains, as long as it was clear that they were the exception to the rule. Even so, 60 million Americans went to the cinema weekly.

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Griffith 's The Musketeers of Pig Alley is one of the earliest American films to feature urban organized crime. Dillinger's popularity rose so quickly that Variety joked that "if Dillinger remains at large much longer and more such interviews are obtained, there may be some petitions circulated to make him our president. The life of Joan Crawford 's character is ruined and her romantic interest is executed so that she may live free, although she is innocent of the crime for which the district attorney wants to convict her. The Hays office warned producer Howard Hughes not to make the film; [] when it was completed in late , the Hays office demanded numerous changes, including a conclusion where Comante was captured, tried, convicted, and hanged [] and that the film carry the subtitle "Shame of a Nation". Filmed shortly after DeMille had completed a five-month tour of the Soviet Union , This Day and Age takes place in America and features several children torturing a gangster who got away with the murder of a popular local shopkeeper. Employees' Entrance received the following review from Jonathan Rosenbaum: The length of pre-Code films was usually comparatively short, [64] but that running time often required tighter material and did not affect the impact of message films. The economic disaster brought on by the stock market crash of changed American values and beliefs in various ways. Real-life murders were tied into promotions and "theater lobbies displayed tommy guns and blackjacks ". The film ends with the youngsters taking the gangster to a local judge and forcing the magistrate to conduct a trial in which the outcome is never in doubt. In Wild Boys of the Road , the young man played by Frankie Darrow leads a group of dispossessed juvenile drifters who frequently brawl with the police. Social problem films[ edit ] Hays and others, such as Samuel Goldwyn , obviously felt that motion pictures presented a form of escapism that served a palliative effect on American moviegoers. The picture features future staples of the prison genre such as solitary confinement, informers, riots, visitations, an escape, and the codes of prison life. It stated that the notion of an "adults-only policy" would be a dubious, ineffective strategy that would be difficult to enforce. Doherty In the early s, several real-life criminals became celebrities. Therefore, events such as the Boston Tea Party could not be portrayed. Industrial Commission of Ohio that free speech did not extend to motion pictures, [9] and while there had been token attempts to clean up the movies before, such as when the studios formed the National Association of the Motion Picture Industry NAMPI in , little had come of the efforts. After some revisions, they agreed to the stipulations of the Code. In Blonde Venus , Marlene Dietrich 's character resorts to prostitution to feed her child, and Claudette Colbert 's character in It Happened One Night gets her comeuppance for throwing a tray of food onto the floor by later finding herself without food or financial resources. In films such as Paid , the legal system turns innocent characters into criminals. Hays summoned the pair to his office and told them to cease production as they were causing needless headaches for the studios. Capone appeared on the cover of Time magazine in After he had finished his work, Vollmer stated that gangster films were innocuous and even overly favorable in depicting the police. Stanwyck also portrayed a nurse and initially reluctant heroine who manages to save, via unorthodox means, two young children in danger from nefarious characters including Clark Gable as a malevolent chauffeur in Night Nurse The Depression profoundly influenced pre-Code Hollywood both financially and artistically. DeMille released This Day and Age in , and it stands in stark contrast to his other films of the period. The prototype of the prison genre was The Big House

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